The
definition of a short story is as strict or loose as each individual author
wants it to be. There are some aspects of a short story that apply to each and
every short story, while there are other aspects that can vary greatly from
each story. And of this definition alone we see that a short story is always
unique.
Expanding
on the idea of uniqueness: a story can be told twice, re-telling the exact same
events. But when told from a different perspective, it brings about a whole new
light in how the events are viewed. That evil guy trying to destroy the world?
Turns out that from his perspective, he is simply trying to preserve his
hometown from all the changes it is under-going. This might be a big of an
extreme case, but the point is that any story can be completely different from
another, with the same characters and events, if it is simply told from a
different perspective.
Perspective
can also be switched not from character to character, but from first person to
third person, and even to third person omniscient. All different types of
narration can drastically change how a story is perceived. In first person
narration, the reader is stuck with one character’s point of view. This is not
necessarily a good or bad thing, it is simply the author’s choice. In the third
person, the reader reads the story from the point of view of someone who is
detached from the events. In omniscient narration, the reader is detached
again, but the nature of the narration allows the reader to be all-knowing.
Some
aspects of short stories are always the same. Characterization, setting, plot
(Freytag’s triangle) are examples of these. Characterization is simply how the
author of the story chooses to portray the characters in the story. This
controls how the reader interacts with the character; the author is usually
aiming to create a certain emotion between the reader and any given character. Without characterization the reader cannot
connect with the characters in any significant way. Setting is another aspect
that exists in every short story; a simple time and place gives great
significance. For example, Lord of the Rings would not be Lord of the Rings if
it were not set in Middle Earth. You simply couldn’t have the same story set in
2200 A.D. in Japan for obvious reasons.
The plot of a story is arguably
what makes stories unique from one another, though in reality it’s a
combination of each element of the story. The plot, which includes its
characters and setting, can almost always be mapped to Freytag’s Triangle from
the exposition, to the rising action, point(s) of conflict, more rising action,
a climax, falling action and a resolution. The combination of all of this truly
gives a story its uniqueness, separating itself apart from other stories simply
by the meat of the story; what is actually
happening?
But there are so many elements of a
story that don’t necessarily have to exist to qualify as a short story. Morals
are usually considered when a story comes to an end, teaching an important
“life lesson” to the reader. Several of the stories we read for this class did
not have a moral, or if it did it was not exactly clear-cut. We can also learn
other things from stories. For example, a detailing of how a character explored
the remains of the Titanic – this teaches the reader, if on a very shallow
level, how ocean exploration works. Subplots are another aspect of short
stories which don’t necessarily have to exist for the progression of the short
story, but they provide another aspect or view on the story, perhaps even told
from a different perspective!
There are also several types of
short stories that can alter how the short story is defined. While a memoir of
events is usually thought to be long, we can see from In the Loyal Mountains by Rick Bass that it can also be a short
story! This is a re-telling of events from the protagonists point of view, a
personal account. Although it is a fictional memoir, it is still a memoir of
the protagonist detailing a very specific time in his life.
A short story can have so many
different definitions, it is extremely difficult to tack just one onto it. What
we can say, however, is that the decisions are entirely up to the author in how
they choose to portray their short story. There is an understanding that the
reader needs to be able to make a quick connection (because they are generally
so short) and be able to understand the events and the characters.
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